Tracklist:

1. Tribute to Brownie (6:38)
2. Brill’s Blues (8:22)
3. Ande (6:42)
4. Star Dust (5:19)
5. South Side (8:39)
6. Val’s Blues (6:36)

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Allmusic.com:
Louis Smith had a brilliant debut on this Blue Note album, his first of two before becoming a full- time teacher. The opener (Duke Pearson’s “Tribute to Brownie”) was a perfect piece for Smith to interpret, since his style was heavily influenced by Clifford Brown (who had died the previous year). He is also in excellent form on four of his basic originals and takes a particularly memorable solo on a haunting rendition of “Stardust.” Altoist Cannonball Adderley (who used the pseudonym of Buckshot La Funke on this set, a name later used by Branford Marsalis), Duke Jordan or Tommy Flanagan on piano, bassist Doug Watkins, and drummer Art Taylor make for a potent supporting cast, but the focus is mostly on the criminally obscure Louis Smith. After cutting his second Blue Note set and switching to teaching, Smith would not record again as a leader until 1978. All bop and 1950s jazz fans are strongly advised to pick up this CD reissue before it disappears.

Personnel:
Louis Smith, trumpet;
Cannonball Adderley, alto sax;
Duke Jordan (1-2, 5), Tommy Flanagan (3-4, 6), piano;
Doug Watkins, bass;
Art Taylor, drums

Recorded: in NYC Feb. 4 (1-2, 5) and Feb. 9 (3-4, 6), 1957. Originally scheduled to be issued as Transistion TRLP-30, but the Transistion label folded and the masters were purchased by Alfred Lion and released as Blue Note BLP 1584.

Download:

http://rapidshare.com/files/95104278/ls1082hcls.rar